In Germany the broadcast was a national event it is often seen as a watershed in the treatment of the Holocaust in public life. In 1978, the television mini-series Holocaust garnered huge audiences worldwide with its populist treatment of historical trauma, simplifying complex historical events into clear narrative lines and identificatory structures. But above all, Das Boot stages and eulogises the love of authority, and the strong social ties that beloved leadership guarantees.Īlthough there had never been any shortage of films about the Second World War, the late 1970s saw an intensification of the international traffic in stories and images focusing on Germany’s Nazi past. It celebrates the love of sailors for their boat and the love of soldiers for each other and their unit. But the film – and this perhaps goes some way to explaining its global success – is as much about masculinity as it is about history, as much about love as it is about the Battle of the Atlantic. Das Boot raised questions regarding the appropriate and adequate representation of German history and of the Second World War, questions that go far beyond cinema, and continue to be discussed today.
Over time, it has become arguably the bestknown German film overseas since Metropolis (1927), or perhaps Triumph of the Will (1935).
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Its reputation and reach increased when it was recast as a five-part TV mini-series in 1985, and then rereleased in a much longer director’s cut in 1997. A German war film, telling a German war story, made with German money, it was a surprise international hit on its theatrical release in 1981. But as it docks, an Allied air raid sinks the boat, killing captain and crew.ĭas Boot’s gripping, claustrophobic depiction of the terrors and pleasures of war under water has made it a key example of the subgenre of the submarine combat film. After further undersea tests of endurance, the submarine makes it back to port. A clandestine visit to a Spanish port brings only brief respite: the ship is refuelled and restocked, but sent on an even more perilous mission through the Straits of Gibraltar and into the Mediterranean.
Over the following weeks, the ship and its young crew barely survive numerous close calls as Allied destroyers and aircraft depth-charge the vessel. Commanded by a still young but highly experienced captain (Prochnow), the ship also carries a journalist (Grönemeyer), sent to write a propaganda piece on the heroic crew. During the Second World War, U-96, a German submarine, ships out from its French home port on a dangerous mission to sink shipping in the Atlantic.
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